Stand-up came out of three things. Frustration, necessity and arrogance. I didn't have a great career ahead of me in anything. Someone literally said to me, 'You should try stand-up,' and took me to a venue.

You'll read things and say, this is a really good project and it's probably going to be a hit, but I can see 20 other people playing that part. You have to have some sense of ownership to do a good job and be married to it for ever.

When I go on the plane to fly home, I'm literally capable of forgetting what I do for a job. That also comes about because I choose to take massive breaks between projects, and because I choose to do this ridiculous thing of keeping home, home.

I always find that 90% of the performance, for me, is about what comes from inside.

When I grew up, I realised what an amazing thing my parents did. It was such a big deal for my mom, a middle class woman, to decide to leave her children and husband to go and do her Ph.D. for three years. And my dad, who is even more middle class, a traditional South Indian, to let his wife do that.

Polygamy is needed to prevent a man from taking up a lover, which can cause health issues and rifts in the family and would lead him to live a lie, constantly deceiving his wife and children.

My husband and I grew up with parents who supported our passion, and we're grateful to them for that. It really helps you find your identity when you're younger. It helps you become a really well-rounded person, the more you can show from different perspectives. The arts show us empathy, which is so important.

Audiences like me in soft, romantic roles, and 'Premam' ticks all the boxes.