We didn't have much money growing up, so we hopped around L.A. a lot in the '70s, '80s and '90s. I'm very familiar with the shifting culture there.

If I were to do a movie about Apollo 13, I'd be at NASA studying what it took to go into space. It's part of your job to go deep, to interview the right people.

My parents separated when I was 2, and my dad always lived in Chicago and my mother in L.A. I'd go back and forth and sometimes spend the summer with my dad, but L.A. was home.

I love a challenge. So when I did 'Friday,' I didn't want to do another comedy back-to-back. With 'Set It Off,' that was a little different from 'The Negotiator' and 'The Italian Job.' So for me, it's all about challenge. It's all about challenge and about just learning.

Of a truth, there is an inward, formless, inarticulate, almost unconscious, prayer, the very breath of love, whereby the soul is knit fast to the God whom it has tracked, amidst the tangled underwood of human life, to his covert on the eternal hills.

That's the key thing I learned from making 'The East': It doesn't matter what happens in your life, good or bad. What matters is that there's a group around you to catch you when you fall and push you back up a little bit.

I hope I will not be typecast as a Bond girl for the rest of my life. I'm very proud of being a part of the Bond family, but I don't want to be the sexy girl forever. I'm not meaning to complain, but I just want to be taken seriously.

During the whole 'Jeopardy' experience, I felt like I was living a bit of a double life, I would be secretly flying out to L.A. to tape new shows, hoping that none of my coworkers would notice the absence and figure out what was going on. 'Jeopardy' tries very hard to keep their secrets.