When I was growing up, in L.A., I went to these schools, Fairfax High School, Bancroft Junior High School, and they had great music departments. I always played in the orchestra, the jazz band, the marching band.

When you make music, you're forming these invisible vibrations in the air into different shapes and consistencies and speeds in order to create music, and understanding how the math of that works just gives you more colors to paint with, and allows you to get to what you want quicker.

About 13-14 years ago, I went back to my alma mater, Fairfax High School, and ran into the music teacher. She invited me to come speak to the kids about the viability of a music career. When I went into the room where I used to play every day in a big orchestra, they had nothing!

Music is made up out of these building blocks. Studying how these blocks go together and what they consist of and the math of how it works - it's all the same stuff; it's just different aesthetics that we're talking about.

When I left school I went onto the shop floor, working 12-hour shifts in a TV factory. My workmates were sharp, skilled and all capable of enjoying higher education - but they didn't have that opportunity.

Leave It To Beaver' is a fairly famous show in America, but I don't think it travelled. It was one of those typical '50s family comedies. I was in the pilot episode as sort of the dark presence: my character was called Eddie Haskill.

Since the presidency of Ronald Reagan, conservatives have succeeded by adhering to a platform that rests firmly on three legs: smaller government, faith and family, and a strong national defense. These three legs do not merely represent a political coalition; they are three necessary components of a strong and secure America.

My formative years were all shaped by a mother who was very sad and had a drinking problem, while my father was lonely and angry. He was an Episcopal priest and raised four kids on his own.