I think sometimes comedians and entertainers and artists, sometimes they get onstage, and it's all for what they want to do. I think you still need to do stuff for the audience. They're the ones who are making it possible.

I love John Madden because he makes me feel smart.

With Twitter, it's a little harder to tell jokes that somebody hasn't heard already. You have all these people out there sharing their opinions and telling jokes in real time, and by the time you get on, somebody's already done some version of what you're trying to do.

I was very stale at Fox. Much of it was my own fault. I was lazy and didn't fight for things I wanted to do at other times. Most of my stuff consisted of setup/punchline jokes to the camera - a very old-school approach. I was part of the establishment, I guess.

Some people know that they are so adorable looking, all they have to do is smile and dress up and they get plenty from that. Then there are some of us who, early on, see that that doesn't work. So we joke about it.

As someone who's been doing a lot of classical theater recently, I loved the idea of getting to run around in Steven Alan, and not be in a corset and a wig, and not have a dialect, and get to be in a 90-minute play with no intermission, and get to do real comedy.

Everyone is flailing through this life without an owner's manual, with whatever modicum of grace and good humor we can manage.

I think the humor, when applied in the right amount, only serves to intensify the other emotions in a given song; it highlights them, makes them stand out.