I spent my youth playing music, and I worked a lot in New Jersey and New York clubs. At 18, I worked all around Hudson, Essex, and Bergen counties.

I am a musician by rights, and I played in Asbury Park in the old African Room in the Robert Trent Hotel next to the Albion. That was in the early '60s.

My son, Tony Vincent, is a stuntman. He doubles for Jim Caviezel on 'Person of Interest.' He works really hard.

When you're acting on camera, you don't really think of your voice. You think of the whole instrument - your body, your look, and whatever you have to do. But when you're doing the voiceover, you're thinking only of your voice. You really can't compare the two different mediums.

Novelists are stamina merchants, grinders, nine-to-fivers, and their career curves follow the usual arc of human endeavour.

I worked for Microsoft until 1996, till I had a different angle to view life. I wanted to be an entrepreneur and control my own destiny.

Leaving a club like Real and coming to as big a club as Manchester United makes you grow as a player and helps you progress in your career.

Nobody taught me to play bottleneck. I just saw it and taught myself. I got an old bottle and steamed the label off, put it on the wrong finger, I basically did everything wrong until I met some of the Blues legends early in my career who taught me another way. I didn't have anyone to tell me women didn't play bottleneck.