Journalists ask me, 'Why don't you ever talk about sex in your performances?' True, I don't talk about sex - not in my personal life and not in my professional life. This is modesty.

When you succeed, at a certain point, you want to challenge yourself. Otherwise, you become boring. You become a has-been. It's not very interesting. I don't want to be this guy who has only succeeded in France.

If I were bombing with my jokes in English, I would go back to France. Maybe do that mime thing.

When you succeed, at a certain point, you want to challenge yourself. Otherwise, you become boring. You become a has-been. It's not very interesting. I don't want to be this guy who has only succeeded in France. I could say, 'O.K., that's it; merci.' But I'm not interested in that.

Maybe there's a chance to get back to grown-up films. Anything that uses humor and dramatic values to deal with human emotions and gets down to what people are to people.

Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.

The nature of comedy is 'just do it.' But I think what's interesting about it is this joke has been around and why. And it's just saying what's wrong and how wrong can you be if you say it.

The way you deal with a scare is the way you deal with a laugh. The timing has to be perfect. When you're dealing with fear or laughter - emotions that happen spontaneously - you hope it's working. But in the moment, you really have no idea.