The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy.

The history of American women is about the fight for freedom, but it's less a war against oppressive men than a struggle to straighten out the perpetually mixed message about women's role that was accepted by almost everybody of both genders.

Sarah Palin is an heir to the women's movement. She has not been constrained by gender. At no point in her life has she thought, 'I can't do that because I'm a woman.'

When the women's movement began, it was a middle-class phenomenon. Certainly, black women had other stuff to think about in the '60s besides a women's movement. Working-class women were slow to get into it.

The only exercise I got as a kid was fork to mouth. Food was equated with love in my household. I thought you left the table when the zipper was down and you'd explode if you took another bite. I'd eat my plate and then everyone else's leftovers.

Middle grade fiction, to me, is really about emergence of self. It's about expressing the idea that the world is going to start affecting you more, and your parents' influence is going to wane. Middle grade is when a lot of kids discover their passions - art, music, sports, what have you.

It's definitely fun being a part of this family.

I tell residents, if you gave me two patients with identical problems, and one of them had family at the bedside with a lot of laughter, plus photos and a quilt from home, and next door was another patient who was alone every time I came by - I'm going to be very nervous about the isolated patient's mental status.