My dad, in particular, was adamant that I should finish my education. He encouraged me to go to Oxford, for instance, and I rather doubt I'd have gone if he hadn't. I would have gone straight back to L.A. and tried to start my career.

American culture is very good at interpersonal relationships and people skills, whereas we're incredibly adept at academics and straightforward 19th-century Victorian education.

I support equal rights and equal dignity for all.

Everyone's parents were famous actors at my school, pretty much! I think I went to school with Paris Hilton when I was three. That's what L.A. is, though - it's an industry town. You go to school with kids and you think, 'Well that's normal, they make movies.'

I'm kind of a morbid person. I'm very optimistic, but I also feel like I'm going to die at any moment. I feel very much aware of my mortality. I'm here, and then I'm not.

I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.

The safest course is to do nothing against one's conscience. With this secret, we can enjoy life and have no fear from death.

I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.