What interests me is whatever it is that allows the heart to continue to yearn for something the intelligence knows is impossible to have: a lost love, a shelter from life's blows, the return of a time past, even a connection to the dead.

Memory is not pure. Memories told are not pure memories; memories told are stories. The storyteller will change them. I've always been interested in that.

In grammar school I read 'Act One' by Moss Hart, and being a playwright struck me as the most magical and romantic career anyone could have... But I never did write a play.

I think place and time for me is often a matter of convenience, something I can use to another end rather than something I'm trying to define because it's somehow fascinating to me in itself. It's more what the place can do for the larger goals I have for the work.

I want to do a romantic comedy. Like a 'When Harry Met Sally' romantic comedy... A really sweet, show-my-vulnerability kind of role.

When you're dealing with long-distance relationships, it's a relationship played out over technology. When you're in high school, it's because you're not supposed to act on those impulses yet. So some of my favorite relationships in drama are based in people that can't really be together.

I just wanted to be married and to be happy ever after.

My wife may be the role model for our daughter in some ways, but I think I represent what she'll put up with. You know, I think one day she'll say, 'OK my dad behaved this way, so if whoever I happen to fall in love with behaves this way it's got to be OK because I love my dad.'