I loved making 'The Hunger Games' - it was the happiest experience of my professional life. Lionsgate was supportive of me in a manner that few directors ever experience in a franchise: they empowered me to make the film I wanted to make and backed the movie in a way that requires no explanation beyond the remarkable results.

If you look at the opening of 'Private Ryan,' you are so in the point of view of those guys and there is a whole world swirling all around them. You are learning that geography as they are learning it.

You can drain the life and nuances and complexity out of things by homogenizing them to make everything harmoniously dull, flat, conflict-free, strife-free.

Really, each era has its own false nostalgia. We all put a picket fence up around something. For my generation it was the '50s, and for other generations it will be something else. Change is scary for everyone, as is complexity, contradiction, and an uncertain future.

Her death has had a huge effect on me. It felt like a big hole appeared on my left side - apparently your left side is your mother - which I thought could never be filled. Now I think what you have to do is fill it with yourself because your mother is part of you. I'm easing into that space, using it and being comforted by it.

I think most of us who live into our 50s have had a few experiences with death. You know, we see people we know start to die. We realize it's getting closer and closer for us.

Some people think football is a matter of life and death. I assure you, it's much more serious than that.

I always play football in my team, and I know that if you play too much long ball, then it's difficult.