I've read a lot of war writing, even World War I writing, the British war poetry of Wilfred Owen and Siegfried Sassoon, Robert Graves's memoir 'Goodbye to All That,' and a civilian memoir, 'Testament of Youth,' by Vera Brittain.

I have my sympathies and also my critical views, and they aren't much of a secret, but my first job is to see and hear and think about what I've seen and heard.

Everyone finds justification for his or her views in logic and analysis, but a personal philosophy often emerges from some archaic part of the mind, an early idea of how the world should be.

Even while writing about foreign places, I have been in a way writing about America, because that's the subject that interests me the most. I'm attached to it, critical, but it's definitely my country, and maybe even more so when I'm overseas.

I think that focusing all experiences through the lens of the Internet is an example of not being able to see history through the eyes of others, to be so enamored of one's present time that one cannot see that the world was once elsewise and was not about you.

We all have a responsibility to make sure everyone - including companies, governments, and researchers - develop AI with diversity in mind.

If you are making money writing, you are doing great. If you can support yourself writing, you are a success. I don't care if you're writing textbooks or Pulitzer Prize-winning articles for weighty publications of world renown: If you're writing and it's paying the bills, consider yourself a successful writer.

Translation and UnitedMasters, which is all one company, is my vision and my dream, and I think it's today's reality of the convergence between storytelling, technology, and culture.