I've read a lot of war writing, even World War I writing, the British war poetry of Wilfred Owen and Siegfried Sassoon, Robert Graves's memoir 'Goodbye to All That,' and a civilian memoir, 'Testament of Youth,' by Vera Brittain.

I have my sympathies and also my critical views, and they aren't much of a secret, but my first job is to see and hear and think about what I've seen and heard.

Everyone finds justification for his or her views in logic and analysis, but a personal philosophy often emerges from some archaic part of the mind, an early idea of how the world should be.

Even while writing about foreign places, I have been in a way writing about America, because that's the subject that interests me the most. I'm attached to it, critical, but it's definitely my country, and maybe even more so when I'm overseas.

Real leadership means tackling tough problems ourselves and not leaving them to our children.

From a producer's point of view, of course, 'Law & Order' presents an ideal - a show that is almost entirely actor-proof, that can keep going and going no matter what happens to the cast or how many actors demand raises.

What are the Democrats, the party of Jim Matheson, telling them? The message of the Democrats is that the Amercian dream is over. 'The government is all you have. Give up your dreams, and the government will save you, the government will heal you, the government will be your hope and change.' We know here in Utah, none of that is true.

A lot of our songs are based in reality but imagined or using fictional characters as a way to write about something. I think inspiration comes from anything and everything, and it's filtered through our brains, and it comes out sounding like our band.