It was always a dream as I was growing up. I would watch movies, mostly American movies, and be so engrossed in those stories, all I wanted to do was be there. I wanted to be part of that romance or that fantasy or be that warrior or that struggling soul who finally makes it good.

300' was a real turning point in my career. Until then, I felt like a steam train that was slowly chugging to the top of a hill. Now I'm over that hill, my career seems to have its own momentum.

My problem is, whether it's for emotion or for the talents that a character has to have in a role, I find it very difficult to not take on a challenge. For instance, 'Phantom Of The Opera,' in truth, scared the crap out of me, but I wasn't going to walk away and say, 'I didn't do that because I didn't believe in myself.'

I remember when 'Grease' came out, I used to force my mum to try and grease my hair back, and it was never long enough, and literally I'd be screaming at her, 'Do it. Just do it!'.

Not until the human heart is stolid to poetry, the human eye blind to beauty, not until the intellect ceases its quest for truth and conscience finds its quietus either in universal defeat or in triumphant success, will organized religion cease to be.

The major economic policy challenges facing the nation today - pick your favorites among the usual suspects of low public and household savings, concerns about educational quality and achievement, high and rising income inequality, the large imbalances between our social insurance commitments and resources - are not about monetary policy.

Half of my success is my fearlessness and recklessness - of just seeing the end and not stopping until you get there.

We find personal success and great, if not enduring, influence on the outer fashioning of the world allotted to the violent, the passionate individual who, unchaining the elemental principles of human impulse under favoring circumstances, points out to greed and self-indulgence the speedy pathways to their satisfaction.