I wanted very badly to be a mum. I'm a very maternal person. But at the point that I met Emilio I was focusing on a career. I never would have thought that I would get married at 21 and much less be a mum by 23.

As an entertainer, my job is to help people have fun.

Everything that an artist does is a risk. Some people want you to stay the same. If you want to evolve, they want to keep you in a certain place.

I'm careful what I put out there into the universe, musically. I don't take it lightly.

My dad and mom divorced when I was around ten, and I didn't live with him after that, though he was close by and we saw each other weekly. I wasn't really aware that he was a writer; I didn't start reading his writing until I was about fifteen. It occurred to me then that my dad was kind of special; he's still one of my favorite writers.

It's certainly not a shock to find that the industry has no imagination. I think people don't know what it is I do. Because half the time you're talking to people who are in their 20s, and I've been doing this for over 25 years.

I consider creativity to be a more non-rational, subconscious thing. You have a relationship to your creativity - you can feed it with content, with some rational prodding and sleep and things like that, but the mechanisms by which your creativity work are largely unknown.

I went to art school, wanting to be a painter and then I got into photography. Then it was movies, and I liked the images. One of the things that interested me in film was that I was communicating in images. That was something I did intuitively and could not even talk about until I started having to do interviews.