Me and my sister made up a game called 'Milky Cow'. We were on holiday in France when I was 12, and there was a kid who had bovine features, and every time we went past her, we'd say, 'There's Milky Cow'.

I would spend a lot of time setting up an accident scene where it appeared that I had seriously hurt myself - hedge-cutter, ketchup, that sort of thing. When my sister happened upon the scene of horror, I would lift my head and pathetically plead for her to 'get Mum'.

If you're doing a job, and you secretly want to do a different job, you start to blame the job. I was blaming the teaching for that fact I wasn't performing. I really felt I needed to follow a comedy career.

There is nothing bad about this job. Comedians have nothing to complain about. That doesn't mean I'm not constantly moaning and worrying.

Sometimes I've been more emotionally disturbed by the experience of shooting a comedy than a drama. After 'We're the Millers', I think playing this battered loser who's confidence was at zero for 90 percent of the movie, I did genuinely feel that way.

It's amazing how many companies aren't really in tune to the needs of different travelers. There's just so many embarrassing situations that you go through when you travel. You have to have a sense of humor about it and take it in stride. My whole approach is to embrace spontaneity.

Other than friends and family, my favorite things are New York and stand-up. I love doing comedy in New York - I can do way more stand-up here than in Los Angeles.

I'm at least getting my foot in the door as far as doing straight dramatic parts, which no one would have ever considered me for in the '80s. I never objected to that because I love doing comedy, and I'm not the kind of actor that insists that unless you're doing a serious dramatic role, you're not acting.