I had always thought my fantasy career would be making indie films and doing my own thing. But then 'Superbad' came along, and it totally changed everything. It was so hilarious and smart and extreme; you could probably do a psychoanalysis term paper on the male sexual psyche going on there.

I worry that I would actually hurt my career doing something I didn't enjoy.

I remember on my very first film, which Steven Soderberg executive-produced, he said, 'Try not to repeat yourself. Do things that scare you.' Even if it's a challenge, I want people to say that this guy tried this thing. Hopefully he learned from it.

Film school didn't prepare me for the fact that you have to manage so many different personalities at every stage, and I learned nothing about what to do when a movie was finished.

And for my family, comedically, that was the key to a lot of the humor.

There is humor in the darkest of moments - People who I have loved and passed away, and very high stake situations where you can't help but laugh. I think that's very human.

With every side I've played for, I've always tried to fit in and joke with my team mates while enjoying good times with them on and off the pitch. And that's what's happened with Les Bleus.

If someone pulls me down, I pull them down, as I don't feel I should live my life in the way other people want me to. If they have a problem with my films, I can rip off their films, be it comedy or their family dramas, which are low on content and have over-theatrical acting.