The Disaster Artist' book is the peak of my career in many ways, but there's something so rewarding about creating something from scratch.

We've all had someone break our hearts or have been fired from a job or have been cheated.

The only reason I came to L.A. in the first place was to tell stories and make movies. Whatever way you can do that - if you can do that - at whatever level, that's rewarding.

I didn't think 'The Room' was going to really go anywhere. But you know, in the back of your mind, you hope that any project you do is going to to go somewhere.

Growing up with a bold feminist in my mother, I witnessed her march magnificently from mini to maxi, fashions so obviously linked to powerful statements of female progression, equality and recognition. I knew no other than freedom of expression in all the forms it came in; art, theatre, fashion, literature and music.

An artist is made to entertain. That's their primary goal, to entertain you. But some artists record the moments of time. You wouldn't know what was happening in the '20s and '30s; you got to check the song or art.

Creativity is not the finding of a thing, but the making something out of it after it is found.

I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual, and he stops being an individual. I think it's the same thing for a country.