Outlining is not writing. Coming up with ideas is not writing. Researching is not writing. Creating characters is not writing. Only writing is writing.

I'd never had money growing up, and it's never been that important to me, except maybe to take our kids on a nice vacation or something like that.

The preparation for building a series of thrillers based on a single character is kind of like the preparation for becoming a parent: The best part is the idea - wink, wink.

You can't have an up without a down, a right without a left, a back without a front - or a happy without a sad.

I think my mother's family came on the Mayflower from England - D.A.R., you know.

My family is vital to me - just the sense of being surrounded by no pretension.

The deep, personal material of the latter half of your life is your children. You can write about your parents when they're gone, but your children are still going to be here, and you're going to want them to come and visit you in the nursing home.

Every backstory involves my father. I remember hearing Gary Oldman talking about backstories and saying, 'I got to stop using my father...' And I feel the same way. I don't know. What I come up with always involves some element of this son trying to prove himself to his father.