The body of work I create combines traditional storylines and postmodern narrative strategies to approach themes such as belonging, identity politics and conflict, as well as the push towards - and resistance against - modernization.

Art has often been and continues to be considered transcendent. I see this as misguided and, in fact, a way of subverting the powerful voice art can be in global discussions about politics, economics, society, culture, religion and international relations.

I looked into corruption in Afghanistan through a work called 'Payback' and impersonated a police officer, set up a fake checkpoint on the street in Kabul and stopped cars, but instead of asking them for a bribe, offered them money and apologized on behalf of the Kabul Police Department.