I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.

I think it's safe to say that 'manliness' was a common theme in my upbringing. It was an assumed status, but - and here's the important bit - it was the Rudyard Kipling kind. The emphasis was on gentlemanly conduct, sportsmanship, fairness and stoicism.

It's bad enough being conned into singing an anti-war message by John Lennon when you think you're just wishing everyone a merry Christmas.

Dad's funeral was standing room only; most in attendance were strangers to me. At the back, a lone Marine stood silently, then left. People told me he'd saved their life or helped them in their darkest hour.

The Karate Kid' was just lightning in a bottle. The second movie is a very worthy sequel, because you got to explore the Okinawan culture and learned about Miyagi's life. The third, as is always the case, was made because the second one made a lot of money.

I don't bash Cash Money, Birdman, or none of them.

Hollywood is a world where the only thing that gets green-lit is something that made money the last year.

Many other countries in the region also have money and oil, but they haven't done much good with it - at least not enough to stop the Middle East's disastrous wars. Saudi Arabia at least has something else: stability, a scarce commodity in the region.