I always wanted to get out of Tokyo and in 1977, New York seemed like the most interesting place to visit. I didn't intend to live here- I just wanted to get out and see what was happening. I just happened to stay here then.

Mars is really different, into art. Lydia Lunch is more energy. James Chance is more commercial in a different way, in funk and jazz. They were all doing original things, trying to create their own sound and music. I think they're all great.

Because it's dance music, you can't really have a lot of changing in there. It's really not for me because there's too much repetition. I like more diversity.

I got tired of different drum sounds so you buy different effects for more manipulation.

Everything you do on set is directly related to your imagination when you read the script for the first time.

If you create a visual that actually captures the imagination, that's not real. It will look real, and that will spread at such lightning speed that by the time it's found out, it has already done its damage. It's a very, very scary time that we're living in. I say it's an age of absurdity.

My dad was a high school coach for 30-plus years in North Carolina, and he was inducted into the North Carolina High School Coaches Hall of Fame. He's the best coach I've known, in every way, all the way around - relationships, motivation, going the extra mile, always putting his kids first and foremost.

Surrounded by a sweltering state known for its staunch conservatism, Austin is an oasis. It's home to the University of Texas, which continuously fosters a well-educated youth culture who have been funneling their collective creative energy into building a vibrant music, film, and technology scene for decades.