As an actor you make choices that are either right or wrong, and you find the ones that are right for you. As an understudy, the choices have been made, so you have to make those choices right. Going into the role, you can't really question it.

All young people, regardless of their sexual orientation or gender identity, need someone who's got their back.

In the early '90s, I wrote a play called 'Word of Mouth' in which I played a number of different characters. One was a thirteen-year-old boy who, through a series of diary entries, realizes that he's gay.

All of us, regardless of how we identify, need a community in which to grow our faith. We require the tangle of other souls to enlarge our hearts, to perfect our relationships with one another and to help us understand more deeply our better Selves (big 'S').

I always want to abandon myself to my characters, and I never knew if I was actually abandoning myself to Lady Macbeth. I was scared to enter the darkness. Almost every day, I would go back home and be like, 'Oh my God, what am I doing?' I had no idea.

I think, clearly, where you have a situation in which the Solicitor General tells me, 'I cannot in good faith argue a certainly legal position,' and if the president told us to argue that position, we would have to tell him, 'No, we can't do that, Mr. President.'

Clearly, we need to rethink our attitudes about water and move away from thinking of it as nearly a free good and a God-given right.

Why is the public so interested in movies about the wealthy? My answer is that Shakespeare wrote about kings. That's where the action is. And it's the classic, cathartic thing. You get to indulge in a lifestyle you're not part of, a tragic error leads to a downfall, and you get to say, 'Thank God I'm not him.'