I read this book when I was young. It's about a black girl growing up in Heaven, Ohio. The cover has a black girl with clouds behind her. It was the first book cover I ever saw with a girl that looked like me.

I'm nearsighted, in part, because I would read past my bedtime in the dark. I didn't want my mom to see that I was still awake.

Naming something, putting it on record, in a lyric, feels like affirming people. Ideally, that's what politicians should want to do: to put laws or policies in place that speak to people's experiences, to make them feel heard.

I think of music as creating a space. I like to put things in that are comforting to me and are nostalgic. To me, that's what sampling does in songs; it's making deeper layers for people who know where it comes from, but also referencing another part of my history and my memory or a memory that I have.

I came from a very middle class Maharashtrian family. It was a big step to get into movies. My family was shocked.

I grew up in a secular environment, you know, in the '60s and '70s. My mother's family was Catholic, but you know, just very kind of conventionally Catholic. You know, nothing - there was nothing, you know, extreme about their version of religion. And my father was a free spirit, you know? He had no time for religion at all.

My family all thought I was a little nuts.

I am not Superwoman. The reality of my daily life is that I'm juggling a lot of balls in the air trying to be a good wife and mother, trying to be the prime-ministerial consort at home and abroad, barrister and charity worker, and sometimes one of the balls gets dropped.