I've had a lot of different responses to my films. I got a lot of support from 'The Piano,' the obvious one, but it feels like an ocean, with a lot going on - the goal is to keep alive.

I seem to have been able to make a career out of doing what I feel like doing, so why not keep doing it? What's corrupting is wanting to be more important. You want to be more arty - you get your identity from that. Or you get your identity out of making more money.

Because there is that sort of feeling that people don't know what to do with gaps in their lives. It's a scary notion, but actually, if you can stand in space just for a little while, a new door will open, or you'll be able to see in the dark after a while. You'll adjust.

Eight years ago, I was drawn into Keats's world by Andrew Motion's biography. Soon I was reading back and forth between Keats's letters and his poems. The letters were fresh, intimate and irreverent, as though he were present and speaking. The Keats spell went very deep for me.

I want to be one of the greats. I feel like the money and all that is going to come, but I want to be a name that, like, when you say Nas or Jay Z, that's forever.

It is more important for Labour to raise the reputation of politics than for the Tories, who are only in politics for the money.

Republicans and Democrats are obsessed with making sure that illegal aliens are granted citizenship. The American people are not. They're concerned about jobs, the economy, debt. They're concerned about a plundering country. They're concerned about a decaying, dying country.

I look back on it, yeah, I'm in a much worse financial position than I was eight years ago. I'm going to have to go out at age 62 and kind of readdress some of that.