As a child, growing up in Hampstead, North London, I was shockingly fair-skinned. Holidays involved me spending the second and third day face-down on a bed, shrieking should anyone touch my blistered skin.

Just as there are moments when the words flow and it feels like the easiest job in the world, there are many more when I think I have nothing to say, and my journalism training taught me that writing is a job, that you write whether you are inspired or not, and that the only way to unlock creativity is to write through it.

I had just got married when I started writing my fourth novel. I'd come back from honeymoon, moved into our first house - a gorgeous little carriage house in London - and made my office on the third floor, overlooking the treetops in North West London.

I believe it is the flaws that make us interesting, our backgrounds, the hardships.

I never stopped recording, but I went through a period where... The one thing that a lot of people don't know is that for as long as I've been as artist, I've been a writer and a producer.

I'm fascinated by the concept of what I call 'clusters of creativity': the Brontes, the Waughs, families with several geniuses. I'm one of four; competition among siblings has to be a factor.

Neither a lofty degree of intelligence nor imagination nor both together go to the making of genius. Love, love, love, that is the soul of genius.

I'm an artist, and I go in the studio and make my music. And then I'll give it to my dad and he does what he does. And he does, you know, the press, and figuring out shows and whatnot. When it comes to my artistic freedom, he doesn't, like, step on my toes or anything.