Publishers send me a lot of first novels because my first novel was the defining novel of my career, and I guess a lot of people want my benediction or something.

I don't think I found my voice until I reached New York. I suppose it's possible I would have had some kind of different literary career if I had not discovered New York.

I envy those writers who outline their novels, who know where they're going. But I find writing is a process of discovery.

Anybody who becomes a movie star becomes successful at projecting a certain image to the public.

I went to all the shops in the village looking for work. I didn't have any qualifications. I ended up working in a grocery shop for about a year and then went to a confectioner, where I earned three pounds 10 shillings. I gave the money to my mother and father, but I also managed to save five shillings a week.

I don't actually have problems dealing with corporate situations. There are times I've railed against it, but there are other times when I'm like, 'I'll take your money, no problem.'

I got a publishing deal with BMG, they were supportive, and some money to record demos.

It's really hard to break through the clutter and get the attention of the top investors, as they typically only look at deals that come in from a warm, credible referral. There's absolutely nothing more credible than getting an endorsement from a well-known subject matter expert who has already put their own money into your company.