When I was growing up, my house was filled with books. My mother was an educator, and my father was a history buff, so our home was a virtual library, covering every author from Beverly Cleary to James Michener.

Many of Judy Blume's books - which I devoured when I was growing up and where I found characters that were believable because they were a lot like me - caused considerable consternation when they were first published, but now they're widely accepted as an essential part of the children's literary canon.

I write for kids because I think the most interesting (and most humorous) stories come from people's childhoods. When I was writing 'Diary of a Wimpy Kid,' I had a blast talking on the phone to my younger brother, Patrick, remembering all of the things that happened to our family when we were growing up.

I feel, as an adult, I'm very similar to how I was as a pre-teen. Maybe it's a case of arrested development, but I feel like it's easy to slip back into those shoes, and I feel like if we were all magically transported back to our middle school years, we'd all act like we did in middle school.

I'm not a career woman.

There weren't a lot of career opportunities in crazy-fast hardcore punk, so you didn't have a lot of ambition, just the love and passion to play music with your friends.

I'm hoping that the administration and other thought leaders will succeed eventually in bringing the country back to the older idea that the American dream is having a career, getting a job, and getting involved in it, and doing well. That was the core of the good life.

Completely overwhelmed, it is huge project to be working on 'Singh Is Bliing.' How everyone is enjoying the film is everything to me. Definitely, it is the biggest milestone of my career.