You know, she was a girl. She was a female. And she wasn't like, trying to compete in a man's world and she wasn't trying to be in a man's position, she was just who she was. And I think that was like, a good thing.

I can't say I can foresee the future and tell the stars, you know. But I do have an understanding for my own reality, just elements and things that I've learned from.

I loved that about her because I knew it would open the door for a lot of comedy, because I knew that the conflict would come, because not many people live like the way she does.

It's such a pleasurable experience to look back, and all of the fun I had just comes rushing back.

We write and write and write until we think, 'If we have to shoot this script, we'll be happy, and it's going to be a great movie.' I meet with all the actors two weeks before, and I ask them, 'What lines don't work? What is uncomfortable for you? What jokes do you think aren't good? If you're not getting it, here's what the joke is.' You fix it.

I did so many open mics. I would write jokes on Twitter constantly, and then slowly, over time, open mics turned into shows. If you can get a joke to work at an open mic, it's a good joke.

It's always been a dream of mine to be in a Woody Allen comedy.

In general, I think comedy is more difficult to write, to direct, and to act successfully.