As a teenager growing up in the suburbs of Washington, I ritually watched the Sunday-morning political talk shows with my family. We parsed and argued and jeered at the screen as national figures delivered careful, poll-tested talking points.

Right after college, after growing up in the United States, I moved to India, broadly telling the story of how an old and stagnant country was suddenly waking up. And I came home, back to America, in 2009 after telling that story and writing a book about that.

For our family, learning was everything. Homework came first; books, being sacred, were never to be left on the floor.

To have come of age during and after the global financial crisis of 2008 is to belong to a generation often unable to do what an American could once expect, and to do what was once expected: Get a job, pay off student loans, and find a place of your own.

I am suspicious of what people might want from me. Do they like me, or my money?

It's pre-roll or post-roll on Vevo. The record company makes money off of that, and then it trickles down.

Very often, I think about the people that I represent. I meet people who have thousands and thousands of employees and millions and millions of customers - and also make a lot of money. But I think about the millions of Europeans that I represent in order to try to balance that so we can meet on more equal terms.

I did 'Land of the Dead,' which was the biggest zombie film I had ever made. I don't think it needed to be that big. That money went largely to the cast. They were great, but I don't think that money needed to be spent.