Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off.

When I criticize Joseph Beuys or Francis Bacon, nobody calls those opinions anti-male. Putting female artists or their subject matter off-limits is itself sexist and limiting.

Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.

The New York gallery scene being as incredibly overpopulated and overmoneyed as it is, deep conflicts and contradictions aren't hard to find.

While 'Felicity' was successful in the States, and I had opportunities to do other stuff, I didn't want to do anything to make myself more famous. I wasn't dealing well with the celebrity of all of that. I was 23 - just a kid - and not coming from money, it was all just too much. I just wanted to slow it down a little bit, and gain control.

It was fantastic when I came into snooker, when tobacco was throwing lots of money at it, and even when they fell away we thought others would come in because of all the TV exposure. But it didn't happen.

I think the rich will eventually have to cave in too, because the economic situation around the world is not gonna tolerate the United States being on top forever.

Money is not a driving force for me when it comes to my passion: that is, dramas and films.