My parents' relationship with Kolkata is so strong. Growing up, the absence of Kolkata was always present in our lives.

As a child, I felt that the Indian part of me was unacknowledged, and therefore somehow negated, by my American environment and vice versa. Growing up, I was impatient with my parents for being so different, holding on to India the way they did, and always making me feel like I had to make a choice of which way I would go.

My parents had an arranged marriage, as did so many other people when I was growing up. My father came and had a life in the United States one way and my mother had a different one, and I was very aware of those things. I continue to wonder about it, and I will continue to write about it.

I've inherited a sense of that loss from my parents because it was so palpable all the time while I was growing up, the sense of what my parents had sacrificed in moving to the United States, and yet at the same time, building a life here and all that that entailed.

When I'm writing for certain instruments, you want to write within what you know about that instrument but also challenge the player. Something like 'Aheym' is very virtuosic - but because I have a history of performing music, I don't like unplayable music.

There is no connection between the political ideas of our educated class and the deep places of the imagination.

We are incapable of leaving anything to the imagination and loath to leave anything out. Maniacal thoroughness has become our national verbal ideal.

New Jack City' was a perfect marriage of music and film. They used a lot of musicians: myself, Christopher Williams. People that were popular because of their music were given the chance to act. And the soundtrack was incredible.