Everybody reads for me. I was never weird about that. I never minded coming in and reading. They should know if I'm the right person, and I should know if I want to do a movie.

Knowing what paint a painter uses or having an understanding of where he was in the history of where he came from doesn't hurt your appreciation of the painting.

My earliest memories are doing commercials and TV.

I don't direct so that I can have an identity and so I can go on to CGI movies. I had a big identity as an actor, and that's not what I'm looking for from directing. Directing is a whole different goal.

I had a friend who worked at a hospice, and he said people in their final moments don't discuss their successes, awards or what books they wrote or what they accomplished. They only talk about their loves and their regrets, and I think that's very telling.

I'm just a really normal, sensitive kind of go-about-my business everyday kinda guy. People see the tattoos, and they either read things or they see things and they don't really know that I'm just this guy that gets up and makes coffee in the morning and hangs out with his friends and walks his dog and reads his Bible and goes about his day.

Well documented, the relationship of literature to myth in the Western world has undergone much change over the millennia, as first the age of gods fell away before the notion of a single god, and then, for many people, that single god slipped away, too.

There are people who have comfortable relationships with power and people with natural antagonism to power. I think it's easy to guess where I am in that.