I relate with military families and Gold Star families. Gold Star families are families where somebody didn't come home. My father died in 1949. He was a flight instructor in the Army Air Corp.

I have some fond memories - a couple of the nights on the town ... a couple of songs I wrote when I was messed up that I'm sure wouldn't have come out of me unless I was messed up. It's kind of happy-sad about those days - I could do anything I wanted to. I did. And now I don't want to do any of that.

I enjoy my solo career because I get to play smaller places like clubs and theaters, and the interaction with the audience is much higher quality. It also sounds better than a baseball stadium. Everybody has a good seat, and I don't have to play a specific part like I do in the Eagles.

L.A. is kind of flat these days; I guess Austin and other places are like that now. But that's what I wanted to get across: You could be as crazy as you wanted, and that was OK. You didn't have to be good; people would still come and hear you.

I am uncompromising to the point of huge dissension in the studio. And it's served me very well. My theory and my philosophy is, 'Compromise breeds mediocrity.' Obviously, you have to pick your battles, and the more success an artist has, the more they want to be involved in their own career, which is not necessarily a good thing.

Giving all of Denver's kids an equal chance at success is the best investment we can make in our community's kids and future.

What's weird is the Hot Boys and the whole New Orleans Cash Money thing had a really big impact on the Bay when that was popping off. I don't all the way understand it. I mean, I know that they were big everywhere and had a lot of commercial success in the mid to late '90s, but they were really, really felt in the Bay Area.

Universal vaccination may well be the greatest success story in medical history.