I tend to get hired because the filmmakers like what I do, so there's usually not that much conflict about the direction.

I think it took me until - my twenties were really a time of exploration and experimentation with different groups and different types of music. Then I kind of developed the sound, which first appeared, I guess, on my first solo album 'Englaborn,' which came out in 2001.

Give the composer time to experiment, time to try out ideas. Also, the time to fail. When the composer has very little time, the temptation is to reach for stock ideas - ideas they know will work and have worked in the past.

In this post-industrial society, when we're moving away from what was the norm, we have to deal with what it has left in its wake in terms of the impact on people and the environment.

Obedience to the law of chastity will increase our happiness in mortality and make possible our progress in eternity.

Death is a sniper. It strikes people you love, people you like, people you know - it's everywhere. You could be next. But then you turn out not to be. But then again, you could be.

If you want to connect with people who are in distress and great grief and scared, you need to do it in a certain way. I move kind of slow. I talk kind of slow. I let them know that I respect them.

If I were dying, my last words would be: Have faith and pursue the unknown end.