When I was a kid growing up in the States in the late '70s and early '80s, as soon as 'Dallas' came on on a Friday night on CBS at 9 P.M., we stopped everything from that moment on as a family.

My first professional job was actually at a place called Opryland U.S.A., which no longer exists, but I've been performing since I was a kid.

I find with television, you have to play personality, whereas onstage, everyone talks about 'the character,' and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.

What I can say that's different in American television... in Britain, they wouldn't cancel something after a couple of episodes. In the States they would. They would just decide it's not working, take it off and put something else in on the fall schedule.

The man of science, like the man of letters, is too apt to view mankind only in the abstract, selecting in his consideration only a single side of our complex and many-sided being.

By isolating the issues of race, gender, sexual orientation, climate change, environment, governance, economics, catastrophe and whatever other problems the present embodies or the future may bring, science fiction can do what Dickens and Sinclair did: make real the consequences of social injustice or human folly.

If you had to pay separately for just PBS, probably, sadly, not a majority of Americans would do that. So there's many channels, whether it's Discovery Channel or C-SPAN or many, many others, that just aren't viable.

Today the biggest problem in caring for those with AIDS is no longer mainly a medical or scientific problem. The crisis is access to affordable drugs.