I think I was first awakened to musical exploration by Dizzy Gillespie and Bird. It was through their work that I began to learn about musical structures and the more theoretical aspects of music.

I think the main thing a musician would like to do is give a picture to the listener of the many wonderful things he knows of and senses in the universe.

All a musician can do is to get closer to the sources of nature, and so feel that he is in communion with the natural laws.

I first met Miles Davis about 1947 and played a few jobs with him and Sonny Rollins at the Audubon Ballroom in Manhattan. During this period, he was coming into his own, and I could see him extending the boundaries of jazz even further.

For most of us, the great danger is not that we will renounce our faith. It is that we will become so distracted and rushed and preoccupied that we will settle for a mediocre version of it. We will just skim our lives instead of actually living them.

Faith, like a jackal, feeds among the tombs, and even from these dead doubts she gathers her most vital hope.

The reality of the Eucharistic sacrifice has always been at the heart of Catholic faith; called into question in the 16th century, it was solemnly reaffirmed at the Council of Trent against the backdrop of our justification in Christ.

If we get to the point where we damage the full faith and credit of the United States, that would be the first default in history caused purely by insanity.