My career as a magazine writer was largely prefaced on the idea of curiosity, to go on adventures and weasel my way into the lives of people that I admire.

What would I put in a museum? Probably a museum! That's an amusing relic of our past.

Comics have a problem, and that is continuity - the obsession with placing the characters in an existing world, where every event is marked in canon. You're supposed to believe that these weepy star boys of now are the same gung-ho super teens fighting space monsters in the '60s, and they've only aged perhaps five years.

It would be rather naive to imagine that Oprah doesn't have an Earth Evacuation Plan. You know Richard Branson does - his is in plain sight.

I went to school with Steven Wright, who was the shyest guy I knew, and one day someone suddenly told me that he was in a club doing standup comedy. I went down to his club and he was great. Another friend of mine, who was pretty much a thief by trade, was hosting the show. So I thought, 'If these guys can do it, then so can I.'

My eyes are different sizes, my nose is too broad at the bridge and squishes up when I laugh, and my lips are sorta funny when I smile.

It feels a lot freer doing a comedy.

As you know it is a comedy so everything is a little bit pushed. That's what's funny about this kind of movie is you can laugh about the absurdity, and the bad side of life.