I remember 'Roots' growing up and the cultural impact it had on the country. Watching 'Roots' was not the cool remove of reading about slavery in a book or hearing about it in class. It became something that swept people along.

Old white guys can be a funny bunch, can't they? The same anti-same-sex marriage, anti-affirmative action cadre can flower into the biggest supporters of 'equality' the minute they get a whiff of minority empowerment.

It's funny: over time, if you're fortunate, you build a nice career, and you have these interesting moments, and I would not, looking back, trade any of them - 'Red Tails,' '12 Years a Slave' and 'Undercover Brother.'

If the Olympic Games ever served a true altruistic purpose, they have long since outlived it. Yeah, the pursuit of athletic excellence, sportsmanship and international goodwill is plenty noble. But the modern Olympics are at best a vehicle for agitprop; at worst, a scandal magnet.

In the future, I think it's pretty plausible that collective intelligence tools and skills will be important in order to be a part of global dialog, global business, and global creativity. People who know how to negotiate collective intelligence networks are going to be in a good position to contribute to global society.

I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process.

I love to bring humour into my work. Because comedy is not a huge part of the art world. And big-business film takes itself very seriously.

For me, as an actor, there is no commercial or independent or art cinema. For me, it's a character that is given by the director. And it is a task for me that I have to fulfill it to the best of my ability regardless of the kind of film that it is.