I think what's universal is the idea of auditioning. It's something that you do in every kind of job market. You audition every time you go on a date, you audition at a job interview, and it's always about trying to put the best version of yourself forward and seeing what sticks and what doesn't.

When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'ideal' performance. Things that felt great in previews can feel forced three months in; jokes that got big laughs in the rehearsal room may suddenly fall flat in front of a paying audience.

Live theater is an amorphous art, constantly shifting and evolving with every performance.

I was on Twitter right in the first couple months that it was out.

I feel very much aware of my mortality. I'm here, and then I'm not. It's the same thing with everything else: the movie comes out, and then it's gone. Everything is changing all the time, and I'm not going to stress out and spend my entire time chasing something that ultimately doesn't exist.

I think we brothers realised his loss more and more as we grew older. We actually grew closer after his death.

I represented a man on death row whose lawyers had spent all of eight hours looking into his claim of innocence. I met men whose lawyers had never looked into their backgrounds.

I offer neither pay, nor quarters, nor food; I offer only hunger, thirst, forced marches, battles and death. Let him who loves his country with his heart, and not merely with his lips, follow me.