The first 12 bars of 'Pre-Occupied' explains my entire career.

As long as I don't have to go back to the catering hall and wait tables anymore, I'm very happy.

I'd watch Pixar movies for, like, six hours, back-to-back. I'd watch 'Finding Nemo' twice a week, back-to-back-to-back, three times in a row.

I was sick of waiting for people to jump on hooks for songs I produced. So I tried singing myself, and I haven't looked back.

To be stuck with that Kardashian label, that was so hurtful to me and to my career. I probably realized that too late - not that it would've affected my decisions in terms of who I dated, but it would've affected my decision to appear on the show.

I've never been over-dramatic in my whole career.

I think once 'Empire' hit, there was a lot of bad black TV that followed, because we work in the business of hit-seekers and copycats, so they're like, 'Oh this is a show about black people; this is about music, OK let's do a version of that.' And, of course, it doesn't work because it's not organic.

A lot of people considered my career as an artist largely over. Two albums got shelved. But I've made music since I was a little kid, and for the majority of that time, I wasn't paid for it. So I will always be making it.