When I was growing up, my idea of a writer was someone like Sven Hassel, that mysterious Danish author who wrote thrillers about men clambering over walls and getting tangled in barbed wire.

When I was growing up, there was a feeling in one's living room as much as in one's local gallery that a little elitism was good for the soul.

I've been asked which of the other arts novel-writing is most like, and I have come to believe it is acting. Of course, in terms of pattern it can be like music, in terms of structure it can be like painting, but the job to me is most like acting.

When you grow up by the sea, you spend a good deal of time looking at the horizon. You wonder what on Earth the waves might bring - and where the sea might deposit you - until one day you know you have lived between two places, the scene of arrival and the point of departure.

It is therefore not unreasonable to suppose that some portion of the neglect of science in England, may be attributed to the system of education we pursue.

I was nearly as far behind in calculus as I was in physics. But I wasn't the only woman in the class, so I felt more comfortable asking questions.

I don't do formal debates, because formal debates where you have two people up on a stage in equal status, and each of them is given 20 minutes to give their point of view, and then 10 minutes for a rebuttal, or whatever, that creates the illusion that you really do have here two equal points of view of equal scientific standing.

My scientific career has developed on three continents: Asia, Europe and North America.