I think the novel is not so much a literary genre, but a literary space, like a sea that is filled by many rivers. The novel receives streams of science, philosophy, poetry and contains all of these; it's not simply telling a story.

Beginning with adolescence, my political formation was oriented in the ideological direction of Marxism. It was natural, being that my thinking was influenced by an atmosphere of active critical resistance. That was the way it was during all of the dictatorship and up to the Revolution of 1974.

I had no books at home. I started to frequent a public library in Lisbon. It was there, with no help except curiosity and the will to learn, that my taste for reading developed and was refined.

Can you imagine what Bush would say if someone like Hugo Chavez asked him for a little piece of land to install a military base, and he only wanted to plant a Venezuelan flag there?

The Chinaman has only a passive courage, but this courage he possesses in the highest degree. His indifference to death is truly extraordinary. When he is ill, he sees it approach, and does not falter. When condemned, and already in the hands of an officer, he manifests no fear.

On 'Death In Paradise,' I had a CGI pet lizard and had to react to nothing, which was hideously embarrassing.

Whenever death may surprise us, let it be welcome if our battle cry has reached even one receptive ear and another hand reaches out to take up our arms.

I am dying to be a world champion, a single's world champion.