If music was made by some kind of critical theorist, it would sound like my music.

I try to make myself, and subsequently the audience, as uncomfortable as possible, whether it's completely desecrating a song they thought was one thing, or getting too drunk to really do a very good job.

I think that providing obstructions in the live setting is when you get something that actually means something, as opposed to just aping your way through your greatest hits.

People think the world of music is so great, and it's just not. It's so boring, the way music is conceived and then declawed for public consumption.

With film, so much is in the director's hands. Once something is cut together - unless you're in the editing room - you don't really remember what the alternatives are. The exercise in theater is night after night, you are doing the same play, but you have another opportunity to explore.

Sometimes, comedy feels like the kid brother of drama, trying to get attention by being the class jokester. But it's actually really hard to tell a story while also making people laugh. It's like trying to do two jobs at once.

Comedy is only funny when there's real pain.

Without imagination, I don't think there's any progress.