Growing up in the fifties and sixties, I can only remember knowing one child, ever, whose parents got a divorce, and hardly any whose mother 'worked' at anything besides raising her children.

I do not outline. There are writers I know and count as my friends who certainly do it the other way, but for me, part of the adventure is not knowing how it's going to turn out.

I wonder what it is that the people who criticize me for telling this story truly object to: is it that I have dared to tell the story? Or that the story turns out not to be the one they wanted to hear?

The vehemence with which certain critics have chosen not simply to criticize what I've written, but to challenge my writing this story at all, speaks of what the book is about: fear of disapproval.

Listen, when you're starting out you're trying to be as creative as possible about how you can use your skills as an actor to make money.

I am a really quiet person. I just like to be with my children and my family and being home. I live one day at a time, enjoying the best of life, just living.

It's heartbreaking to think that the joy of building a family is being dimmed by the economic squeeze young people are feeling.

A rescue mission doesn't involve going in and just taking a child and leaving. You can't just choose any child at random. Every kid has a case that is based on that child's original family. So, we made it over to a village, found the child; we were interacting with the child.