The one guiding principle over my 23-year career in TV has been as long as I'm having fun, I really don't care what the job title is.

Ultimately, it's not my job to judge the 'Housewives' - we don't editorialize on the show; we really leave it to the audience. We have a certain wink, which is the Bravo wink. We may linger on a shot or we may let something play out longer, but we leave it to you.

I started working at Bravo in 2005, when I was offered a job by Lauren Zalaznick, the network's chairman. She encouraged me to start a blog. I wrote behind-the-scenes gossip about 'Battle of the Network Reality Stars,' the first show I took on as head of current programming.

McDonalds used to be my favorite place to eat, until my metabolism changed in my late 30s. Before that, I would have no hesitation about walking into McDonalds and getting two cheeseburgers and fries and enjoying every last bite.

If you give me half an hour on the Internet, I can hate myself completely by the end of that 30 minutes.

I've stopped reading about my books on the Internet because it's too hurtful.

To the game code, the world is still just a tile map, but for rendering, each map was exported as a general-purpose 3D model, and the artists could then go through it and spend the polygons any way they liked, without the limits of line-of-constant-z software rasterization that we lived with on the mobile phones.

In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.