I think people look at dance music and see it as kind of a bad thing, and bad people hang out in nightclubs, but it never felt that way for me. Growing up in Chicago, music was the thing that saved me, that kept me on the straight and narrow.

It's interesting: in the late '80s, there was this really random mix of new wave, industrial, and these early house records. And a lot of it was coming out of Chicago because of Wax Trax! So I always visited Wax Trax Records.

I have really fond memories of growing up in Chicago, and I always love going back. I still have a lot of really good friends from high school that I go to dinner with. It's kind of become a tradition when I go out there to do a show to give a few friends a call, tell some funny stories about high school and walk down memory lane.

Music leaves such a big impression. I always wondered, 'Man, if I grew up in Nashville, would I be making Country records now?' I honestly feel like Chicago had such a big impact on me.

It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.

Everything in my life boils down to my mother. A tradition, which a lot of people do not know of, is that while I'd give my father the money I earned, anything that was special to me - like an award or an album - would be given to my mother.

If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.

Because I don't take money, I'll go anywhere and do a benefit concert with almost any orchestra.