At a meet and greet in a nightclub in Texas, a girl who looked about 15 years old gave me a VHS copy of 'Adventures in Babysitting,' and she whispered in my ear that it's really just home movie footage of her dad practicing judo.

I have no boundaries. I have nothing to hide.

Drag is a chicken suit, and you're very emboldened. Whatever you do or say or fail at or succeed at is attributed to your costume and not you as a person. So there's a lot of freedom.

I was a wallflower. I never talked to anybody. I was so afraid of people, I never said a word.

Once I realised that my job as a model was to emote in front of the camera, I thought, 'Well now, I just have to add words, and I can do films.' But also, my success as a model made me more confident about becoming an actress because, just in case I failed, I thought, 'Well, you know, if I failed as an actress, I can do another job.'

We're a very close family, and we've always been supportive of one another. But it's definitely easier to be happy for the other person's acting success when you're doing okay yourself. Ultimately, when you're all in the same competitive industry, it can be more hurtful to see the other succeed if you're not doing as well.

I didn't even have a clear idea of why I wanted to go to Oxford - apart from the fact I had fallen in love with the architecture. It certainly wasn't out of some great sense of academic or intellectual achievement. In many ways, my education only began after I'd left university.

I think it gets overused and tossed around in ways that aren't true. Every impressive achievement is not genius.