I'm a lover of the great adventure films of the 1980s: 'Goonies,' 'E.T.,' 'Raiders of the Lost Ark,' 'Star Wars.'

In animation, there's not a medium I believe that's more collaborative. It is a team of people, of different disciplines, coming together. The decisions are made by consensus in many cases. My job as a director is to exercise the best judgement I can in terms of which decision is the best one to make for the movie.

The Smurfs - and they're this way in Peyo's comics as well - do have a rubbery indestructibility about them. They can get bruised & battered. But they then just sort of bounce back very quickly, like those classic cartoon characters Wiley Coyote and Tom & Jerry.

Animation tends to have several different writers who serve different functions. I think, on a lot of animated features, there are a lot of writers who don't get credited. It's the policy at Disney, for instance, in deciding who gets credit. It depends on the writer's contract, so many things.

The only time I get sick of making people laugh is when I'm in a non-writing-joke mode, and I just can't seem to come up with anything new that's funny. That's a tough place to be as a comedian.

When I've had to edit my albums, I'll listen to it one time through, and I'll make edits. I want to remember to set up a camera to record myself listening to my set, because I don't even slightly crack a smile, I am just listening for technical details, and I look like somebody that has absolutely no sense of humor. I look insane.

When I want to make someone laugh in real life (as opposed to when I'm on stage where I tell one-liners), I tend to do prop comedy. For example, if I'm at the supermarket with my husband, I might put 16 bags of marshmallows in our cart when he's not looking, or if I'm trying to make a kid smile, I'll put my glasses on crooked.

I like bawdy humor. I love bawdy humor, but not dirty humor.