I always wanted to see if I could sell a movie to the public without doing any marketing because my philosophy was like, 'Hey man, I'm reaching my audience everyday. I'm twittering with them. I'm in direct contact with them on the podcast.'

If there was no Internet, my career would have ended in 1995.

There's something to be said for failing. It's not the failure you feel, it's the failure that people project when something disappoints. You're back to ground zero, where there's no expectations, and that's where I like to be.

The first few films I made didn't look good at all, and I wasn't trying to make them look good. People dig 'em because they like the content.

The political lives of tyrants play out human affairs with a special intensity: the death of a democratic leader long after his retirement is a private matter, but the death of a tyrant is always a political act that reflects the character of his power.

But when I went to Hiroshima and began to study or just listen to people's descriptions of their work, it was quite clear they were talking about death all the time, about people dying all around them, about their own fear of death.

Death is not evil, for it frees man from all ills and takes away his desires along with desire's rewards.

I saw Lee J. Cobb in 'Death of a Salesman' when I was about 15, and I couldn't get up from my seat in the theater; I was so... I was weeping, and I was upset. And I find that people are still like that in a similar circumstance in a theater today, where they just can't get up. It's too heartbreaking.