I do think that having the villain be a woman is just as feminine, because we're not just saying, 'Women are wonderful and made of marshmallows,' but women can be anything. They can be amazing superheroes, or they can be dastardly villains, and everything in between.

There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.

Most people don't even get to be on TV, so I got to be on TV a bunch of times... I feel so lucky that I get to go back and forth between television and theater.

I was always a little adult. Even as a little kid, I just couldn't understand why I was surrounded by all these kids. I took things very seriously.

To be honest, I watch way more dramatic films when I'm chilling at home. I think when you work in comedy, you just want something different in your private life. Makes you feel balanced, I guess.

If you're not doing something or saying something in comedy, the camera is going to go somewhere else.

I really love 'Real Housewives.' It's like the, you know, comedy stuff that's, like, intentionally funny. Like, I love 'Nathan for You,' that Comedy Central show. It's just brilliant. My friend Bill Eichner has a show called 'Billy on the Street' that I write for, and even if I didn't write for it, I'd still love it.

I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.